YOUR COMPANION INSIDE HAGIA SOPHIA

A little closer.
A little more wonder.

Four stops to help you read the building around you. Find a detail, take a moment, and discover its story.

Begin exploringChoose stops to suit the visitor route available to you.
A museum-period overview of Hagia Sophia’s interior
04DETAILS. COUNTLESS STORIES.Overview from the guide · museum-period photograph

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The great dome01
A later interior view with Ottoman decoration; not a reconstruction of the year 537.

01 — Look up

The great dome

Above the central hall

From a permitted viewing area, look toward the centre of the ceiling. Follow the curve of the dome and the ring of windows beneath it.

Three things to notice

  • 01The rhythm of the windows and the daylight entering the hall.
  • 02The transition from the central dome to the surrounding arches.
  • 03The contrast between the high ceiling and the suspended chandeliers.

The story behind it

The present Hagia Sophia was built under Justinian I between 532 and 537. The interior you see today also carries changes and decoration added over later centuries.

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The calligraphic medallions02
The original guide photograph preserves the lettering of the Allah medallion.

02 — Follow the letters

The calligraphic medallions

High above the main hall

Look for the large round medallions suspended above the hall. Use the photograph to recognise the panel bearing the name Allah.

Three things to notice

  • 01Gold lettering against the dark circular background.
  • 02The long strokes, curves and spaces within the composition.
  • 03How the medallions sit alongside the building’s arches and galleries.

The story behind it

The medallions are part of Hagia Sophia’s Ottoman and Islamic heritage. The guide draws attention to the medallion bearing the name Muhammad above the nave; the photograph here shows the separate Allah medallion.

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The Byzantine mosaics03
An example of Byzantine mosaic art from the guide. The listed works occupy different parts of the building; visibility may vary.

03 — Look closer

The Byzantine mosaics

The apse, upper galleries and entrances

The guide identifies mosaics in several areas: the apse, the upper south gallery and the entrance spaces. Look for those visible along the visitor route available to you.

Three things to notice

  • 01The small pieces that form a face, garment or gold background.
  • 02The changes in colour and light across the surface.
  • 03The surviving detail and the areas where parts of the mosaic are missing.

The story behind it

The guide describes the period of iconoclasm and the revival of figurative mosaics after 843. Its examples include the apse mosaic, the Deësis in the upper south gallery, and the entrance mosaics.

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The Omphalion04
The original guide photograph shows the marble panel and its surrounding barrier.

04 — Look down

The Omphalion

A marble floor panel beneath the great dome

Look for the coloured marble circles forming a distinct floor panel beneath the dome. Observe it from the designated viewing area.

Three things to notice

  • 01The large central circle and the smaller circles around it.
  • 02The different colours and natural veining of the marble.
  • 03The geometry that connects the circles within the rectangular panel.

The story behind it

The guide explains Omphalion as the Greek word for ‘navel’ and links this floor panel to the coronation ceremonies of Byzantine emperors.

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